Early in his high school years, R. Gibbs became, in his own words, "a student of Eccentricities and Blunder." This sempiternal pursuit seemed to have lead him to gaining appellatives as Public Animal, Pumpcrop, Alacron and The Grandnylon of The Supple Leg. He became attracted to the more scopious designs of such intellectualizations as Chaos in Magic, sexual/drug experimentations, The Karma Sutra, mind expansions (with and without the aid of drugs) and Occultic understandings, though he never recognized any 'religion' as THE religion. Christianity, Alchemy, Astrology, Avidyana, Essoteric Teachings of Gurdjieff, Crowley, Nietzsche, Plato, Schopenhauer, Spinoza and many more systems such as Chaos, Dadaism, Illuminati, Mysticism, Satanism, Tantra, Thelema, Majik and others filled his days and influenced his Art/Fetish.
His writen art/fetish: 'The Pumpcrop Paradox', 'The Pumpcrop, Poems and Paper Piers', 'The Pumpcroptic Mystycals', 'The Book Of Art/Fetish', 'The Plays Of The Marquis De Sade: The Finer Quill Cut', 'The Janus Savior' and 'The Prime Pickens From The Pumpcrop' and his Artistic Invasion entitled 'The Strange and Unusual Dadaian'. One of his more 'in depth' works has been his MASTER WORKS. These were several books placed together in what has been called 'The Way Of The Supreme Pizza Of The Perfect Sole' or the 'Pumpcroptic Mystycals'.
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